NontonStreaming The Walking Dead Season 1 (2010) Sub Indo online gratis Bengkel21. Di situs ini kamu bisa nonton Drama Watch Movie Streaming Film free download untuk semua database film Korea dan movie Mandarin secara Gratis, Pastinya di Bioskop Online kesayangan kamu, File disini berupa MP4, AVI dan MKV dengan ukuran gambar, 360p (360),480p This The Walking Dead review contains spoilers. In previous seasons of The Walking Dead, there was something of a running joke. Whenever a secondary character got to deliver a speech of some sort or start giving out their backstory, it never went well for that person. If Billy Background suddenly has a dead wife and children that he has to tell a lead character about, then Billy Background is going to die in a hurry. Typically, talkativeness would lead to immediate, tragic death, while everyone around them gawked in horror. See also the kid in the first episode of season nine who is introduced and gets killed within the same episode. Not so with Rick Grimes. The ending of that character’s time on the show didn’t come swiftly, or as a sudden surprising end, but as a media circus. The focus of the ninth season hasn’t been the change in showrunner, or anything behind the scenes, but the final episodes of Rick Grimes. The show’s marketing campaign has been based around Andrew Lincoln’s departure, and rather than try to give viewers a surprise, they’ve been clear. This is the last episode for Rick Grimes as of right now. Other things happen in the episode, but essentially, it’s a 45-minute farewell to the lead character and the promise of repercussions to come. With “What Comes After,” Rick Grimes comes full circle. The show started with Rick waking from a coma, and ended with Glenn calling him an asshole. Get used to Rick being called an asshole, and get used to Rick being told to wake up. Waking up becomes Rick’s mantra, and he keeps repeating it to himself—either as himself or via the memories of all his old friends—time and time again as he struggles to keep himself moving. Rick’s being followed by thousands of zombies, too many for their struggling city-states to handle, and if Rick fails, then this herd will find its way to Alexandria, or Hilltop, or any one of a number of outposts full of Rick’s closest friends and family. Rick’s a fighter, and he’ll need to be to keep everyone he loves from being wiped off the face of the earth. That loop, the closing of Rick Grimes’ journey, is accomplished via a lot of fever dreams and a lot of Rick passing out. He’ll go gray and wake up staring at himself in the hospital, trying to goad himself into waking up from a coma to save his family. He’ll gray out and wake up looking at himself on the back of his horse, leading a very similar walker horde into Atlanta, or wake up in his squad car eating burgers with Shane Jon Bernthal, looking at the very accident scene that led to him being shot and put into a coma in the first place. Shane exhorts him to find his inner Shane, to be the asshole, to do the dirty deeds that he knows have to be done to keep everyone safe. He’ll gray out and wake up in the barn with Hershel the late Scott Wilson, looking out over the beautiful farm while Hershel tells him not to grieve for all he’s lost, because they’re not lost. As long as humanity survives, Rick’s family and friends—Rick’s legacy—will survive. Rick grays out and walks through a field of bodies, the thousands of people he’s lost over the years. Sasha Sonequa Martin-Green stands up behind him, with a message. She tells Rick not to regret the dead. They played their part, like she played hers. Like he plays his. Little things end, she reminds Rick, but it’s not about one of us, or a few of us, it’s about all of us, and the world we’ve been building. Certainly, the producers of The Walking Dead hope that the message of “What Comes After” resonates with fans in more than one way. Rick Grimes, the linchpin of the show since it began, is leaving, but the world will continue on without him unless he decides to return and lean more heavily on those friends and family he’s so desperate to get back to. That’s leaned on heavily in the final moments of the episode, in which Rick stands on the opposite side of the bridge they’d built together while Michonne, Maggie, Daryl, Carol, and the rest watch on from the distance. Greg Nicotero has proven to be a steady hand, both with the action sequences and with the actors. I’d imagine the time they all spend in the make-up chair helps Nicotero and company get to know the actors, and know their strengths, weaknesses, and character motivation. He does a wonderful job with this episode, and all of the flashbacks with faces from Rick’s past are beautifully crafted. Granted, Sasha doesn’t have the kind of relationship with Rick that Shane and Hershel do, but her interaction with Rick isn’t so much about their personal relationship, she’s a stand-in for all the other people Rick has lost along the way. The episode’s pace is maintained well, and the story moves seamlessly from fever dream to sobering reality with a clever series of match cuts Shane’s screaming face morphs into a zombie’s snarl, Hershel a gentle reawakening on the back of a horse, and Sasha a sobering collapse onto the ground that wakes Rick with a startle. Nicotero’s eye works to his advantage. The episode doesn’t contain any real crazy camera movements, but the match cuts are well constructed. The dream sequences are especially well done, and as Rick’s condition gets worse, Nicotero makes sure to show it with simple, effective signifiers—the darkening of blood on his shirt, the increasing pallor of Rick’s skin, the smear of blood from Rick’s hand on the side of his horse, the drops of blood splattering at Rick’s feet with every slow step. The climactic shots of the survivors watching Rick’s last stand or what they feel is his last stand hit hard, and the shots of flaming zombies falling over the side of the shattered bridge is some of the special effects crew’s best work to date. It looks beautiful and horrifying at once, which is the highest praise The Walking Dead can receive. Join our mailing listGet the best of Den of Geek delivered right to your inbox! The B plot—Maggie’s confrontation with Negan—also plays well. The exchanges between Maggie and Michonne are tense and brief; it’s subtle, the threats exchanged in looks and body language more than the words in Matthew Negrete’s script, but it’s pretty clear that they won’t hesitate to go after one another if pushed. Danai Gurira and Cohan have good chemistry as antagonists, and Jeffrey Dean Morgan has done a good job at deflating Negan’s bluster into nothing more than a pathetic attempt to have someone else kill him because he lacks the wherewithal to kill himself. Negan is pathetic, pathetic enough that Maggie decides to let him live in his broken state, as death would be an improvement on his condition. The departure of Andrew Lincoln could potentially become a fresh start for a show that seems to need one. Ratings are sinking, cast members are leaving for other things, and the constant drama behind the scenes can’t help but contribute to the show’s difficulties. However, a new show-runner and a chance to freshen up the cast and plots might be enough to pull the show out of its doldrums. After all, it’s not about Rick, Carl, or any one person, it’s about the world they’ve built, and the future of that world seems to be in steady hands. NontonThe Walking Dead - English Drama TV series di Disney+ Hotstar sekarang. Rick is forced to face the past as he struggles to maintain the safety of the communities and protect the future he and Carl envisioned. The Walking Dead. What Comes After S9 E5 3 Nov 2018. Drama. 21+ ^{Andrew Lincoln as Rick Grimes. Photo Jackson Lee Davis/AMC Say what you will about what The Walking Dead has become, but even if you loathed tonight’s ending, there’s no denying that “What Comes After” delivered a full-circle Rick Grimes tribute and season-finale-level game-changers. Negan is broken. Rick is gone, but still breathing. Cue a major time shift and a band of new survivors. And meet Lil’ Ass-Kicker, Judith Grimes, who came here to do two things hand out beatdowns and color — and she’s all out of crayons. As shocking as Rick’s exit was, the signs were really everywhere. The episode has been promoted as Rick’s “final,” with no mention of his death. The fallen friends he met while slipping in and out of consciousness kept saying, “We don’t die.” We know there’s no way Rick simply croaks alone on a concrete slab. And please allow me an honorable mention for saying this last week and yes, I’m about to quote myself “It seems that any chance for Rick to get out of this thing alive has disappeared unless Jadis-Anne’s chopper comes to airlift him to a hospital.” Not exactly a prediction, but pretty damn close! Before Rick flies off into the great unknown, he embarks on an agonizing journey that straddles the physical and metaphysical worlds — or more simply put, slowly bleeds out while taking a wild “This Is Your Life” head trip. The opening scene carries new meaning now that we know how it all ends. At first, it looked like a nod to the first episode of the series, when Rick woke up alone in a hospital. But there were no skyscrapers outside his window back then, and what looked like a swarm of crows in the distance turned out to be … helicopters. The unrecognizable voices asking him, “What is your wound?” might be members of the rescue chopper posse. All hints at what was yet to come. To get there, though, Rick had to remove his belt, toss it over a piece of metal above his head, and pull himself off the rebar spike that impaled him. Is that possible? With a surge of adrenaline and two zombie hordes closing in, probably. But if you’re still judging this show based on plausibility, you might want to find something else to do on Sunday nights. Things certainly don’t get more realistic from there Rick survives an immense loss of blood, has enough energy to ride/fall off that jittery horse, scraps with some zombies, and most impressively after all that, gets blown clean off a bridge into raging waters and washes ashore, alive. But how about those dream sequences? In an obvious nod to the iconic image of season one, Rick leads the newly formed megaherd into downtown Atlanta; the outbound lanes are jammed with abandoned cars, while the inbound lanes are wide open. Soon he’s reunited with Shane in their sheriff’s car, like they were before Rick was shot and the world went to shit. As they eat fries and bust balls, Shane hits Rick where it really hurts — cracking wise about how Judith is his daughter. You think he’d say, “Hey brother, thanks for taking such good care of the kid I had with your wife.” Then again, Rick did kill him. They’re probably right — they’re both assholes. Kudos for the jump scare as Shane lunges at Rick and the scene fast-cuts to a zombie preparing to take a bite. The best cameo is Hershel, who looks so wonderfully healthy and wise and two-legged. Hershel’s farm is basically heaven, and after Rick stops apologizing for everyone who’s gone and every bad thing that’s ever happened, Hershel tells him he can’t stay don’t die yet. Sasha’s appearance was a bit of a head-scratcher — her over Glenn or Abraham or T-Dog or even the kid that was eaten in the revolving door? — but that sea of bodies was impressive. Cue another first-episode reference with the door marked “Don’t Open Dead Inside.” There’s a lot of talk in these scenes about Rick’s guilt, making amends, endings, and finding his family. Rick never finds Carl and Lori, but Sasha is pretty clear that’s not in the cards “Your family — you’re not going to find them because they’re not lost. And you are not lost.” He will be soon, though. While Rick is walker-walking along the line between life and death, Maggie arrives at Hilltop with a crowbar in her hand and murder on her mind. It only takes a minute of debate and a few tears for Michonne to cough up the jailhouse keys and step aside. From behind bars, Negan’s ploy is pretty transparent He’s not trying to get in Maggie’s head, he’s trying to push her over the edge so she’ll put him out of his misery. Can’t blame her for doing him that favor after Negan says he delighted in hearing Maggie’s screams and “cracked open [Glenn’s] skull and popped out his goddamn eyeball.” When Maggie opened the cell door, it seemed like a trap. Would he wrestle that crowbar from her and escape? One of the episode’s biggest surprises was seeing how truly broken Negan has become — begging for death, ugly crying, following orders back into his cell and dropping to his knees. Even Maggie can’t believe what she’s seeing. She delivers a line that might sum up how a lot of people feel about Rick’s good-bye “You’re already worse than dead.” About that good-bye — it is a doozy. Rick somehow makes it to the other side of the bridge and friggin’ Eugene’s calculation that the megaherd would cause its collapse was all hooey. As luck would have it over and over again in this episode, someone left a crate of dynamite on site, and Rick still has at least one bullet left in his Python. The gang arrives in time for Daryl to snipe a few walkers with his crossbow, but after that, they can only watch helplessly as Rick takes aim and blows the bridge — and it’s reasonable to presume, himself — to smithereens. Just as heartbreaking as Michonne’s grief was seeing Daryl see it all happen, losing his recently reconciled bro, and being unable to save him. There was also a gruesome poetry in the heaps of walkers who were drawn to the fire, who went up in flames, and then plunged into the surging river below. That’s when the show began to feel like the third Lord of the Rings movie — just when you thought it was over, boom, another ending! Jadis-Anne appears, and frankly, with all that was going on, I was not in the mood for her bullshit. But somehow, Rick washes up on shore and Jadis-Anne is just as lucky She not only found a passenger, but she’s upgraded from an “A” Gabe to a “B” Rick, whatever the frick that means. Inside the chopper, Rick has a tube in his nose and his eyes roll back, possibly from the unimaginable pain he’s in, or more likely, at the thought of his future with Ziggy Trashpile. Note one of the more obscure callbacks to the series debut. If you’re wondering about the oddly upbeat music in that scene, it’s Wang Chung’s “Space Junk,” which we heard when Rick was trapped in the tank and heard Glenn’s voice for the first time “Hey you! Dumbass. Hey you in the tank. Cozy in there?” But wait, there’s more! As the chopper disappears into the sky, the shack in the foreground suddenly ages. I’ll tell you what I didn’t need in this moment — more randos. Yet that’s what we got; couldn’t quite make out their rushed introduction, but the interwebs tell me four of the five are Magna, Yumiko, Connie, and Luke. Far more important is who’s behind the child’s plea that leads them to safety. If you didn’t know from the second you heard that voice, she’s got a gun, and a sword … and a sheriff’s hat. “Judith,” she says. “Judith Grimes.” She even has the James Bond thing down cold. By the looks of Judy Kick-Ass, we’ve jumped ahead approximately five years, if she was roughly three and is now somewhere around eight. I don’t know where to begin with all of the questions this raises. A-town and the other settlements are sure to look different; the guarantee that windmill Michonne talked of building last week and we see in the opening credits is up by now, and let’s hope Maggie fixed that tractor. What state is Negan in? Did Carol and Zeke have a royal baby? Have the Saviors assimilated? Who’s in charge? When and how will Maggie make her exit — leaving to join Georgie, perhaps? Did someone erect a statue of Rick, and if so, is it Bearded Rick or Five O’Clock Shadow Rick or Clean Shaven Rick? My only complaint is that they didn’t jump even further ahead, so we can see young Hershel and Judith as the power couple they’re destined to be some day. I’ve been saying the show needed to shake things up for a while now. Love this or hate it, consider it — and us — shook. The Walking Dead Recap Good-Bye, Rick Grimes} Nontononline The Walking Dead Season 5 2015 Sub Indonesia. The Walking Dead Season 5 2015 , adalah Musim kelima melanjutkan perjalanan sekelompok orang penyintas yang dipimpin oleh Rick Grimes, seorang mantan deputi sherif, dalam pencarian untuk tempat yang bersih, karena mereka menghadapi ancaman baru dari walker dan penyintas lainnya (yang bermusuhan). 4B1YX.